Posts Tagged ‘Troubadour’

One of the best things about going to concerts for me is listening to a new band for the first time and feeling the music. When  you see a band you really like, you’re singing along, familiar with the music. Maybe you’ve seen them before, but even if you haven’t there is a certain familiarity there. Not so with unfamiliar bands, but each time an artist or band steps onto a stage somewhere, they have a chance to move you, to make you feel something. You can read all about the time I heard Pebaluna for the first time here. After the show I was able to meet band members Lauren Coleman and Jonathan Grillo. Lauren was kind enough to answer some of my questions, which you’ll find below. Look out for Pebaluna’s debut album Carny Life, due out September 18th.
So, without further adieu, here is my interview with Lauren Coleman, vocalist for Pebaluna.
Kevin Collier: For those who have not heard Pebaluna yet, how would you describe your sound?
Lauren Coleman: The kitchen sink.  Everything I ever liked or appreciated, I wanted to implement.  And since everyone in the band enjoys different kinds of music, there are a lot of different elements to each song.
KC: When I met you, you asked me what my favorite venue in Southern California was. I’ll ask you the same question. What’s your favorite venue in SoCal?
LC: I’ve had so many good nights at the Troubadour, whether it be playing shows there or watching them.  The staff has been very kind, especially the security.  Not to mention it’s an iconic place in LA.  The first time I played at the Troubadour, my dad told me about how he had seen Led Zeppelin there in the 70′s.  Sitting in the green room, that’s all I could think about.
KC: Your album Carny Life is set to release September 18th. What can we expect from the album?
LC: I hope people can just listen to it and enjoy it.  I know that there are a lot of fans of RX Bandits and of Matt that are looking forward to the band’s endeavors, so I’d like to warn people that it really isn’t in the same vein.  Matt wanted to play more of the producer role so he threw the reigns over to me as far as writing goes.  So although it has a distinct touch that comes from him, the core of it is something else entirely.
KC: Would you consider releasing an album on Vinyl in the future?
LC: Absolutely!  I love the sound of vinyl!  As soon as it’s possible for us, I’m sure we will.
KC: Your band has a very laid back vibe. Do you think you’ll ever wear your hair in dreadlocks?
LC: I don’t know if I’d ever grow full dreads.  I think I’d go nuts if I couldn’t comb through it.
KC: I understand you’re a Louis C.K. fan. Any other comedians you find particularly funny?
LC: Oh absolutely- Dave Chapelle, Aziz Ansari, Chris Rock, Jim Gaffigan, Daniel Tosh… It really goes on and on.  I really enjoy comedians that have an equal level of intelligent observations to match their shock value.  When someone can offer insight into peoples’ minds through humor and make people laugh at themselves, I think that’s amazing.
KC: What’s the feeling the day of a show, before you go onstage?
LC: Playing a show is like getting on an airplane.  I don’t think about flying at all while I’m packing, going through security, waiting to board– until I’m strapped in and the doors close.  That’s when the nerves come.  It’s the same way for playing a show.  I don’t feel nervous at all until I’m at the venue and see the stage.  The first song is a little terrifying but once I’m singing, nothing else really matters.  I’m lucky because the rest of the band has such great musicianship, I only have to worry about myself.
KC: Do you find there’s a camaraderie among bands when you play a show together, or do you even interact with the other bands?
LC: It depends.  There’s always some friendly people in each band and as the night progresses you might end up hanging out.  But more-so after we play.  Before-hand I’m warming up, tuning and just making sure I’m ready.
KC: You guys covered Bill Wither’s “Ain’t No Sunshine.” Best cover since DMX in my opinion. You also covered “Makin’ Whoopee.” Are there any other songs you want to cover? Will we see any cover songs on Carny Life?
LC: There aren’t any cover songs on Carny Life, but we love playing covers live.  That’s how Matt and I first started playing together.   We all just like playing songs we enjoy playing, whether they be ours or other artists’.
KC: What was the recording process like for Carny Life?
LC: With half the songs on Carny Life, I would bring a song a cappella to Matt and he would write the music around it.  We would then bring in different friends and musicians for each track.  Once I learned piano, ukulele and guitar, I wrote the other five.  There were songs along the way that didn’t make the cut, and the songs left standing were just the ones we put the most work into and liked the most.  However, I’m already looking forward to the next record because now I just present a new song to the band and if they’re stoked on it, we work it out together.

KC: Is there anything you would like to say to your fans?

LC: Yes.  There are certain people who have always shared, commented on, and supported what we do and it does not go unnoticed.  We truly appreciate it.
I’d like to thank Lauren Coleman for interviewing with me. For more Pebaluna, check them out on Facebook, Tumblr, and YouTube.
Exterior of Doug Weston's Troubadour nightclub...

Exterior of Doug Weston’s Troubadour nightclub in West Hollywood, CA (Photo credit: Wikipedia)

Okay, so I like to consider myself open to new music of any genre, but I’ll be completely honest when I say I don’t know much about Electronic Dance Music or Dub Step. So last night when I ventured out to the Troubadour, a venue I have been to often in years past, I was feeling a bit out of my comfort zone. I was excited to see Robert DeLong’s live show, however. Having not seen his show before, I had some idea of what to expect, on paper. I had heard his recorded music and read other press about his live shows, but what I got was far beyond even what I anticipated. I arrived at The Troubadour early, even with the traffic I encountered at The Hollywood Bowl. Robert DeLong greeted me right away, he then introduced me to his girlfriend, who was co-running the free face painting stand they had set up. The glow in the dark face paint stand should have been my first clue that this show was different from what I have experienced in the past at the Troubadour.

(Photo Credit: Facebook)

Robert took some time out of his busy schedule to answer some of my questions:

Kevin Collier: How would you describe your music?
Robert DeLong: I would say it’s something like a hybrid between indie-pop flavored ”songwriter” rock and roll and electronic dance music. Something like that.

KC: Tell me about Bothell, WA. What was life like growing up there?

RD: Bothell was a great, small suburb of Seattle, with generally nice, hard-working people who wore a lot of flannel and listened to cool,though depressing, music. It was rainy.
KC: How did your time at Azusa Pacific University influence or shape your music?
RD: APU was an interesting experience – I learned a lot about music theory, composition and arranging, singing and drumming at APU, and that has of course made things easier. Also, I really began to dig beneath the hood of my composition software, Logic, which set the stage for my production techniques and live show. The religious element of APU also influenced my music, if you ever get a chance to mull over my lyrics then I think you can decide for yourself what sort of influence APU had in that category.
KC: You played drums for a band called The Denouement. Can you tell me if there is anything on the horizon for the band?
RD: The Denouement took a hiatus as all of our lives got busy with our individual artistic endeavors – we have an album mostly done we will finish someday; the band will play some shows sans me in the future, but who knows, really. Either way I would never be making music the way I do if it weren’t for that band I don’t think.
KC: How excited are you to have signed with Glassnote Records?
RD:  Triple excited! Seriously, though, Glassnote is an amazing label with great artists and a staff that has years of industry experience, and I am excited to work with them for the next 1 million albums.
KC: What was the inspiration behind your orange “X” logo?

RD: Truth Movement, the year of the 201X, the esoteric sciences of
psychic symmetry.

KC: You performed at South By Southwest (SXSW) this year. How awesome was that experience? How
would you describe it to someone who has never been there?
RD: SXSW is the most amazing thing. Everyone should go because it is like a giant music industry party, with bands hiding behind every possible door. Just prepare yourself to get sick from exhaustion, and don’t drive there. Driving across Texas is terrible.
KC: You have consistently produced new and original music for about two years now through your songs of the month offering. How long does it take you to come up with and record these songs?
RD: I am constantly producing music, for every song that I release on my SOTM I have probably 15 more unheard. Creation time varies depending on the type of tune – I can rock out a good minimal house track in 3 hours, but anything with vocals generally takes longer. Songwriting can be anything from 2 hours to 2 months.
KC: How does it feel to be featured by KROQ as part of their locals only showcase?
RD: It’s awesome! The KROQ team has shown me a lot of love, and I am excited to play a show presented by the most influential alternative rock station on the West Coast.
KC: Tell me about your residency at The Observatory.
RD: It was fun, the Observatory staff really got behind the thing and made it something really radical. I love that venue, it has great lights, great sound, and cool people. It’s a good thing for Orange County, I think.

(Photo Credit: Facebook)

As for the show itself, I really can’t think of an adequate way to sum it up. I was in a room with what seemed like over a hundred other people, dancing as one, almost involuntarily to the extremely catchy music that Robert DeLong created right before our eyes. He controlled the movement of the nebulous amoeba that was the crowd with an Atari Joystick. He seamlessly combined live vocals with prerecorded and recorded on-the-fly loops and tracks, fantastic drum work and even sneaked in an acoustic guitar during the encore.

(Photo Credit: Facebook)

I was pleasantly surprised not only by his act, but opening acts Incan Abraham and Tapioca and the Flea. I had not heard of either band before the show, but I really enjoyed their music. Incan Abraham opened with what I could only describe as electronic hard rock and they were awesome. Tapioca and the Flea brought to mind Robert DeLong’s prior band, The Denouement with their video game hipster chic, all wrapped up in a poncho. I’ll definitely be keeping an eye on these two bands, and you should too.

(Photo Credit: Tana Ghandi)

I drove home around midnight, mostly speechless and with a limp (Did I strain a hamstring dancing?) So, when Robert DeLong asked “Did I leave it all to chance or did I make you fucking dance?” I think he has his answer.
I want to thank Robert DeLong for taking time to interview with me and Patrick Mundy for hooking that up. Glassnote records has a crazy new addition on its hands. Do yourself a favor and check out Tapioca and the Flea, Incan Abraham and Robert DeLong right now.